My work moves through a symbolic and poetic language, drawing from myth, ritual, and cultural memory to build worlds that feel both ancient and speculative. I engage with archetypes, esoteric systems, and visual codes that speak across time, using them to summon images and forms that exist somewhere between dream and artifact.
Through painting, installation, and digital media, I explore how meaning is shaped through both material and immaterial processes. The physical act of painting introduces presence and friction, while generative tools offer access to the fragmented subconscious of collective data. Each medium serves as a different mode of inquiry, a different way to touch the ineffable.
This interdisciplinary approach allows my work to shift fluidly between the sacred and the synthetic, the intimate and the systemic. Whether through brushwork or algorithm, surface or screen, I seek to evoke a sense of mystery by creating spaces and images that feel like remnants from another reality. My current work acts as a window into futures or pasts we have only begun to imagine.
scroll down to view interdisciplinary projects
Welcome to the Cabbage Patch. We're so glad you're here. Forever.
"Echo Eyeball//patch" video, 2025.
"Pine-coded bio//run/Activation Protocol" interactive sculpture, live Tesla coil, found objects, 2025.
Press the foot pedal to activate the lighting. Hold for 5-10 secs to spark. Witness birth.
Device hums with ancient electricity...
Press the foot pedal to activate the lighting. Hold for 5-10 secs to spark. Witness birth.
Device hums with ancient electricity...
"Echo//patch1" digital photograph |
"Echo//patch_install bedroom" digital photograph, found frames, neon light, found objects, 2025 |
"Echo//patch2" digital photograph |
"Panspermia: Back Inside Me" installation and performance at SITE
Houston. Texas November-Feb. 2016
This installation and performance piece was on view at the SITE: Silos On Sawyer in Houston Texas. Twenty-seven artists were selected by Bill Arning, Director of the Contemporary Arts Museum Houston and by Jillian Conrad, professor of sculpture at the University of Houston to transform a space within a renovated industrial grain silo. Each artist was allotted a single grain silo and given a stipend to create a work. The architecture of the silos framed the creative process and forced each artist to think about their work in relation to a unique space. This installation included a twentyfive-foot tall organic pod –like structure filled with a messy accumulation of found objects suggesting ongoing experimentation involving reproduction and alien technologies. Sound elements tell the story of an ongoing scientific experiment gone array on unknowing subjects that spans both time and space. Live performance by the artist, furthered this story as she reconstituted her role as time/space traveller/mad scientist while eight months pregnant.
"We Are The Surface" an installation and performance piece, which offers the artist’s conceptualization of the surface of a distant planet. The impetus for this project began with a 1977 Carl Sagan televised lecture in which Sagan and children drink tea on the faux surface of Mars. This installation is a replica of that set and a metaphor for the alienation of grief. Viewers were encouraged to engage in tea with the artist and become the alien creature by "popping" their own head up through the surface.
Baton Rouge Gallery for Contemporary Art, March 2015.
"Before and After"
a surreal installation project space examining a fallen meteorite and its aftermath.
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Time-lapse video of project space, October 25, 2014 - January 25 ,2015
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"Platonia: The Chaotic Grandma Theory and Other Such Motivations" a multimedia installation centering on the building of an absurd time machine in an ever-changing “mess” of found objects, live butterflies, pee, silly putty, duct tape, sweet potatoes, homemade radio, hair, mosquito nets, video projection, and sound elements.
360-view of time machine and performance in the Baton Rouge Gallery for Contemporary Art. June, 2014
For more see Older Work.